Malcolm Miller Poems: Difference between revisions
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it’s 3 in the morning | it’s 3 in the morning | ||
the fatal lapsed hour | the fatal lapsed hour | ||
I am the sole | I am the sole | ||
customer here | customer here | ||
in this Dunkin Donut on | in this Dunkin Donut on | ||
the coast of Massachusetts | the coast of Massachusetts | ||
the coffee is all right | the coffee is all right | ||
the donut not bad | the donut not bad | ||
the music being offered | |||
only fair | the music being offered | ||
only fair | |||
and behind the counter | and behind the counter | ||
the young woman | the young woman | ||
who quit high school | who quit high school | ||
out of boredom | out of boredom | ||
is yawning | is yawning | ||
a mute kind | a mute kind | ||
of weary-eyed goddess | of weary-eyed goddess | ||
but a goddess none the less | but a goddess none the less | ||
in this god | in this god | ||
blessedly open place | blessedly open place | ||
or don’t you know | or don’t you know | ||
don’t you know yet | don’t you know yet | ||
about closed up towns | about closed up towns | ||
in cold dark times | in cold dark times | ||
Line 141: | Line 166: | ||
'''ZONE 3''' | '''ZONE 3''' | ||
I used to buy a ticket | I used to buy a ticket | ||
from Boston that said | from Boston that said | ||
to Salem Mass | to Salem Mass | ||
now it says | now it says | ||
to Zone 3 | to Zone 3 | ||
I used to have moments | I used to have moments | ||
of joy now I have | of joy now I have | ||
no problems | no problems | ||
I used to be free and easy | I used to be free and easy | ||
now I am acceptable | now I am acceptable | ||
and do the right | and do the right | ||
thing for | thing for | ||
the situation | the situation | ||
I used to be loyal | I used to be loyal | ||
to something I could not | |||
to something I could not | |||
define now I am | define now I am | ||
a good citizen | a good citizen | ||
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on his last day of work the guy | on his last day of work the guy | ||
by some quirk of inspiration | |||
by some quirk of inspiration | |||
profit or satire | profit or satire | ||
loaded the huge soft | loaded the huge soft | ||
drink machines with beer | drink machines with beer | ||
the price was right and the day | the price was right and the day | ||
spring-like | spring-like | ||
never have students learned more | never have students learned more | ||
about religion | about religion | ||
Dionysius was dancing in the halls | Dionysius was dancing in the halls | ||
and singing in the corridors | and singing in the corridors | ||
never did the philosophy professor | |||
a master of logical positivism | never did the philosophy professor | ||
a master of logical positivism | |||
seem more absurd | seem more absurd | ||
his much praised sobriety was found | his much praised sobriety was found | ||
to be a sort | to be a sort | ||
of living death and all the English | of living death and all the English | ||
instructors by afternoon were being | instructors by afternoon were being | ||
booed from the building | booed from the building | ||
for not knowing how to teach | for not knowing how to teach | ||
young people how to return | young people how to return | ||
to the sun [POEMS THAT NEED YOU (1993) p.41] | to the sun [POEMS THAT NEED YOU (1993) p.41] | ||
there is a sign in a bar in my | there is a sign in a bar in my | ||
home town that is like modern life | home town that is like modern life | ||
do not hesitate to ask for credit | do not hesitate to ask for credit | ||
it says | it says | ||
our way of saying no is very polite | our way of saying no is very polite | ||
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'''College Girl in Massachusetts''' | '''College Girl in Massachusetts''' | ||
in the winter dawn a girl bound | in the winter dawn a girl bound | ||
for history class sure | for history class sure | ||
footed and neat with | footed and neat with | ||
the grace of morning | the grace of morning | ||
her face almost fresh as | her face almost fresh as | ||
recent snow the night’s | recent snow the night’s | ||
full twinkling moon over | full twinkling moon over | ||
Salem harbor | Salem harbor | ||
college girl bearing your proud | college girl bearing your proud | ||
unchallenged face towards | unchallenged face towards | ||
the necessary war of all | the necessary war of all | ||
the living I go | the living I go | ||
with you | with you | ||
I go with you clear-eyed sprite | I go with you clear-eyed sprite | ||
your earnest brow of morning | your earnest brow of morning | ||
even over here I feel | |||
even over here I feel | |||
your unique breathing | your unique breathing | ||
the privateness of your being | the privateness of your being | ||
descended from trees and birds | descended from trees and birds | ||
and from darkness kind | |||
and from darkness kind | |||
to all its stars | to all its stars | ||
I go with you lovely scholar | I go with you lovely scholar | ||
and may you find on | and may you find on | ||
your way however | your way however | ||
buried the gold | buried the gold | ||
of unteachable joy | of unteachable joy | ||
Revision as of 11:16, 5 March 2020
Malcolm Miller was a Salem poet. His main entry is Miller, Malcolm H.
Thanks to Rod Kessler, English professor Emeritus from Salem State we have some of his
Salem-Centric poems listed below.
Malcolm Miller’s Salem Poems –an incomplete compilation [13 February 2016]
Standing on the Salem-Beverly bridge gazing seawards at four in the morning March 1990
to the right the final
part of Salem shines
with spaced lights curving
towards the end
of our power
to the left Beverly
like a finger lit
by many gold
rings points
towards some union
out beyond
our marriages
out where only dark
bigger than all our lights
seem to call
I am going
I am going
will I see
will I see
you there?
[INTO THE HIGHER AIR, 1992, 72 pages, p.8]
Witch Trials Salem Mass. 1692
the trees were stark
to begin with
and the choppy sea
often grey and cold
Indians had strange
ways and eyes
their arrows could travel
a long way and accurately
far off the English king
could not be relied on
rumors spoke of changes
not to their advantage
order is always maintained
by a form of no
the haunches of women even young
shake fire in the thatched-roof cabins
fire is a dangerous element
and a moral god insufficient
there are always reasons to kill
many wished for more than twenty
[INTO THE HIGHER AIR, 1992, 72 pages, p.33]
A clean Well Lighted Place In Winter
it’s 3 in the morning
the fatal lapsed hour
I am the sole
customer here
in this Dunkin Donut on
the coast of Massachusetts
the coffee is all right
the donut not bad
the music being offered
only fair
and behind the counter
the young woman
who quit high school
out of boredom
is yawning
a mute kind
of weary-eyed goddess
but a goddess none the less
in this god
blessedly open place
or don’t you know
don’t you know yet
about closed up towns
in cold dark times
[FURTHER AND FURTHER POEMS (1992), 72 pages, p.65]
ZONE 3
I used to buy a ticket
from Boston that said
to Salem Mass
now it says
to Zone 3
I used to have moments
of joy now I have
no problems
I used to be free and easy
now I am acceptable
and do the right
thing for
the situation
I used to be loyal
to something I could not
define now I am
a good citizen
[FURTHER AND FURTHER POEMS (1992), 72 pages, p.16]
State College Canteen
on his last day of work the guy
by some quirk of inspiration
profit or satire
loaded the huge soft
drink machines with beer
the price was right and the day
spring-like
never have students learned more
about religion
Dionysius was dancing in the halls
and singing in the corridors
never did the philosophy professor
a master of logical positivism
seem more absurd
his much praised sobriety was found
to be a sort
of living death and all the English
instructors by afternoon were being
booed from the building
for not knowing how to teach
young people how to return
to the sun [POEMS THAT NEED YOU (1993) p.41]
there is a sign in a bar in my
home town that is like modern life
do not hesitate to ask for credit
it says
our way of saying no is very polite
[Unsatisfactory Fragments of Lukewarm Fire, (Jan. 2004) p. 57]
College Girl in Massachusetts
in the winter dawn a girl bound
for history class sure
footed and neat with
the grace of morning
her face almost fresh as
recent snow the night’s
full twinkling moon over
Salem harbor
college girl bearing your proud
unchallenged face towards
the necessary war of all
the living I go
with you
I go with you clear-eyed sprite
your earnest brow of morning
even over here I feel
your unique breathing
the privateness of your being
descended from trees and birds
and from darkness kind
to all its stars
I go with you lovely scholar
and may you find on
your way however
buried the gold
of unteachable joy
[The Taste of Inexplicable Nothingness, 1994]